After Childe Hassam’s The Room of Flowers
oil on canvas, 1894
The flowers yes—
but more the light and the lone wooden rocker
inviting an impression of conversation—
—back-and-forth—back-and-forth—
The parlor is landscaped in shades of music and art.
The tone is the relaxed passage of time.
Celia Thaxter collected on the couch,
book in hand, legs stretched and crossed through summer dress:
as her own vase, stems and bloom.
Might I sit in the rocker,
like the composed day before her?
The room must smell of lavender and the color yellow.
I’ve asked her what she is reading—
She recites shifting lines
of color and light.
She stops—
“Frederick will be by at four o’clock.”
Soon then,
might I be added to the canvas
to live as these images
and rest for an eternity?
The flowers yes—
but more the light and the lone wooden rocker
inviting an impression of conversation—
—back-and-forth—back-and-forth—
The parlor is landscaped in shades of music and art.
The tone is the relaxed passage of time.
Celia Thaxter collected on the couch,
book in hand, legs stretched and crossed through summer dress:
as her own vase, stems and bloom.
Might I sit in the rocker,
like the composed day before her?
The room must smell of lavender and the color yellow.
I’ve asked her what she is reading—
She recites shifting lines
of color and light.
She stops—
“Frederick will be by at four o’clock.”
Soon then,
might I be added to the canvas
to live as these images
and rest for an eternity?
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